Example: Elliot John Gleave (born 20 June 1982), better known by his stage name Example, is an English singer, songwriter and record producer signed to Epic Records and Sony Music. He has also acted in numerous movies. His name arose due to his initials being E.G., which is an abbreviation of the Latin phrase exempli gratia (“for example”).
Listen Song Title Artist Genre BV Price Buy
Example Backing Tracks -All The Wrong Places … Changed The Way You Kissed Me … Kickstarts … Kids Again … Midnight Run … One Day More (Stay With Me) … Perfect Replacement … Stay Awake … 10 Million People …
Elliot John Gleave (born 20 June 1982), better known by his stage name Example, is an English singer, songwriter and record producer signed to Epic Records and Sony Music. He has also acted in numerous movies. His name arose due to his initials being E.G., which is an abbreviation of the Latin phrase exempli gratia (“for example”).
Example first found success with the release of his second studio album, Won’t Go Quietly, which peaked at number four on the UK Albums Chart and peaked at number one on the UK Dance Chart. and followed his debut album “What We Made” which was heavily hip-hop influenced due to Example only knowing a hip-hop record producer at the time. The album had two top 10 singles, “Won’t Go Quietly” and “Kickstarts”. His third album Playing in the Shadows was released on 4 September 2011. The album topped the charts with two number one singles, “Changed the Way You Kiss Me” (produced by Michael Woods) and “Stay Awake” (produced by electronic duo Nero). His fourth album, The Evolution of Man was released on 19 November 2012 and peaked at number 13 on the UK Albums Chart and also peaked at number one on the UK Dance Chart.
Since The Evolution of Man, Example has released the lead single from his next album, entitled “All the Wrong Places”, which was produced by Alfie Bamford and co-produced by Example and Steve Hill. It was the first song to be released through Epic Records and did so on 8 September 2013 peaking at number 13 on the UK Singles Chart. Then, “Kids Again”, was released on 16 March 2014 and hit number 13 in the UK Single’s charts. The fifth album, Live Life Living, was released on 7 July 2014.
Speaking in an interview for Australian television in 2013, Example referenced that he “might do music for another 5 years and then [he] would like to move into film directing” (preferably horror/thrillers).
Things you wanna see I just done
I may regret if you’re the right one
But I can’t avoid the midnight runI’ll keep on going
I’ll keep on going
Til I find the right one
I’ll keep on growing
I’ll keep on growing
Til I find myself a new gunIf we’re meant to be together
Change the way you see weather
Live for now, forget forever
We could still be here december
If we’re meant to be together
Change the way you see weather
Live for now, forget foreverOn another midnight run
Sniffing for trouble, unlucky for some
On another midnight run
I’ll still be breathing come the morning sun
It’s hurting my eyes
It’s hurting my ears
I know, I know, I know there’ll be tears
Your hurting inside
Been hurting for years
I know, I know, I know there’ll be tears
But it’s never that clear
[ Lyrics from: http://www.lyricsmode.com/lyrics/e/example/midnight_run.html ]
All those things you said you don’t like
Were helping me get high as a kite
Someone promised me they won’t bite
I guess I’m someone different at nightI’ll keep on going
I’ll keep on going
Til my heart says no
I’ll keep on growing
I’ll keep on growing
Til I find myself a new showIf we’re meant to be together
Change the way you see weather
Live for now, forget forever
We could still be here december
If we’re meant to be together
Change the way you see weather
Live for now, forget forever
ForeverOn another midnight run
Sniffing for trouble, unlucky for some
On another midnight run
I’ll still be breathing come the morning sun
It’s hurting my eyes
It’s hurting my ears
I know, I know, I know there’ll be tears
Your hurting inside
Been hurting for years
I know, I know, I know there’ll be tears
But it’s never that clear